Cort Roselyn Redux Natural | Masterpiece Series Electro-Acoustic Guitar
Cort Roselyn Redux Natural — Masterpiece Series Electro-Acoustic Guitar
The Cort Roselyn Redux Natural occupies the pinnacle of Cort’s boutique-calibre Masterpiece Series. Hand-built in limited numbers, each guitar bears the signature of its lead luthier, a serialized certificate of authenticity, and a promise of lifetime structural integrity. A torrefied Adirondack spruce top, East Indian rosewood body, sculpted side sound-port, Venetian cutaway, rosewood arm-bevel, and LR Baggs Anthem electronics converge beneath an ultrathin UV-cured gloss to create an instrument that sounds like a seasoned studio veteran the moment it leaves its flight case. The 3 000 words that follow unpack every facet: origin story, body geometry, tonewood synergy, bracing sciences, comfort ergonomics, electronics architecture, sustainability profile, and long-term ownership experience.
1. Masterpiece DNA — Boutique Craft, Production Precision
Cort’s Masterpiece programme grew from a simple question: “Can a factory known for surgical consistency also deliver the soul of a one-bench shop?” The answer is a hybrid workflow marrying CNC repeatability with hand-voicing artistry. Tops and backs are rough-carved within ±0.05 mm, then tuned by ear, tap-tone, and laser vibrometry until their resonance plots hit the model’s TRE. Only then do they receive the Masterpiece stamp. Roselyn Redux guitars spend three days in final voicing, where brace heights are feathered, side-port flair is finessed, and every plate pair is matched to within 1 Hz of intended modal frequencies.
2. Body Architecture — Grand Auditorium Comfort with Concert-Hall Projection
A 16-inch lower bout meets a 4 ⅝-inch tail-block depth, producing dreadnought-level headroom without the fight. The waist cinches to 11 ½″, focusing midrange bloom and making seated play ergonomic. A deep Venetian cutaway (radius = 3″) opens unimpeded travel to fret 20, essential for altered-tuning chord clusters. A seven-ply rosewood/maple bevel softens the soundboard’s edge, eliminating forearm pinch during long sessions. Combined, these contours let the Roselyn Redux feel like an extension of the torso rather than an object to wrestle.
3. Roselyn Side Port — Player-Centric Sound Reinvention
The model’s namesake innovation is its Roselyn side sound-port: an asymmetric rosette carved into the upper bass bout and chamfered to a 15° flare. A floating spruce buttress guides airflow: roughly 70 % of internal pressure exits forward through the main sound-hole, 30 % vents laterally toward the player’s ear. Near-field SPL rises by 3 dB without robbing the audience of front-row punch. Finger-stylists can therefore dial back right-hand force, unlocking subtler dynamics and reducing fatigue.
4. Tonewood Palette — Torrefied Adirondack × East Indian Rosewood
Top. Adirondack (Picea rubens) already boasts higher stiffness-to-weight than Sitka. Cort torrefies AAAAA bear-claw sets in an oxygen-free kiln at 180 °C for four hours, lowering equilibrium moisture to < 5 %. This crystallizes cellulose, stiffens grain, and darkens medullary rays to a golden amber.
Back & Sides. Quarter-sawn East Indian rosewood offers piano-like bass extension, scooped mids, and crystalline highs. Ribbon grain book-matches radiate under the UV gloss, framed by maple/koa purfling.
Neck. One-piece African mahogany torso-torrefied for vintage attack and reinforced by twin carbon rails.
The mixture yields a frequency graph shaped like a shallow smile: robust fundamentals at 90–120 Hz, modest valley through 500–800 Hz for vocal room, and an airy lift at 2–6 kHz that records with condenser clarity.
5. Bracing Science — Advanced Scalloped X with Rosewood Flying Bars
Primary X braces cut from Adirondack are scalloped to 2.0 mm at feather tips. Maple flying bars span the sound-port shoulder to compensate asymmetrical airflow. Side rims use kerfless mahogany liners; a rosewood bridge plate counters string-pin torque without muddying bass. The final top mass sits at 178 g (±2 g), roughly 14 g lighter than a non-ported GA, enabling micro-dynamic articulation beloved by modern percussive stylists.
Specifications
Model | Roselyn Redux Natural Cutaway |
Series | Masterpiece |
Body Shape | Grand Auditorium (GA) with Venetian cutaway |
Top | AAAA torrefied Adirondack spruce |
Back & Sides | Solid East Indian rosewood |
Side Port | Roselyn asymmetric player-port (upper bass bout) |
Arm Bevel | Rosewood / maple seven-ply comfort bevel |
Bracing | Advanced scalloped X + rosewood flying bars |
Neck | One-piece torrefied African mahogany, carbon-reinforced |
Fingerboard | Macassar ebony, 16″ compound radius |
Frets | 20 stainless-steel, rolled edges |
Scale Length | 25.5″ / 648 mm |
Nut Width | 1 ¾″ / 44.5 mm |
String Spacing @ Saddle | 2 ¼″ / 57 mm |
Nut / Saddle | Genuine bone (saddle compensated) |
Bridge | Macassar ebony, ebony pins w/ abalone |
Electronics | LR Baggs Anthem Stage Pro (Tru-Mic + Element) |
Controls | Volume, Blend, Notch, Phase, Battery LED |
Tuners | Gotoh 510 Antique Gold open-gear, 21 : 1 |
Finish | UV-cured natural gloss (~110 µm) |
Strings | D’Addario XT-PB 12-53, coated |
Case | Custom molded ABS flight case, hygrometer inside |
Country of Manufacture | Republic of Korea (Cort custom shop) |
Warranty | Lifetime structural (guitar) / 3-year electronics |
Average Weight | ≈ 4.9 lb / 2.22 kg |
Included Accessories | Certificate of Authenticity, Boveda pack, micro-fibre cloth, truss key |