Cort MR500E-OP | MR-Series Dreadnought-Cutaway Electro-Acoustic Guitar
ort MR500E-OP — MR-Series Dreadnought-Cutaway Electro-Acoustic
The MR500E-OP folds Cort’s long-running MR philosophy—solid top, tough back, road-worthy neck and plug-and-play electronics—into a modern dreadnought with a sleek open-pore finish. A solid Sitka spruce soundboard, mahogany body, forward-shifted scalloped X-bracing and CE304T preamp yield punch, clarity and stage confidence in equal measure. The deep-dive narrative below unpacks every decision—heritage, wood science, bracing maths, ergonomic details, eco commitments and care tips—then distils the essentials in a quick-scan white/gray spec table.
1 | MR Series DNA — “Modern Revival” in Three Letters
Cort’s MR line launched in 1999 to revive classic dreadnought thunder but fix three historical gripes: (1) heavy, tone-damping finishes; (2) necks set without micro-adjustable dual truss rods; (3) outdated piezo systems that squealed at bar gigs. The “E” suffix added electronics; “OP” flags the open-pore finish that keeps weight low and dynamic snap high. MR500E-OP sits mid-line, balancing solid-top resonance with wallet-safe laminated back strength.
2 | Body Geometry — Dreadnought Lung Capacity, Cutaway Reach
Lower-bout 16″, waist 12″, tail depth 5″ tapering to 4¼″ at neck block. A 3″-radius Venetian cutaway removes the 14-fret barrier, letting players weave melodic hooks beyond fret 17. The enlarged air volume drives sub-200 Hz fundamentals, yet the cutaway and forward-X bracing shape midrange for mix-friendly clarity.
3 | Tone-Wood Matrix — Sitka Spark + Mahogany Warmth
Top. AA Sitka spruce, kiln-balanced to 8 % moisture then thickness-sanded to 2.8 mm centre / 2.6 mm edge—yielding 9:1 stiffness-to-density for strum headroom and fingerstyle nuance.
Back & Sides. Laminated African mahogany (Khaya) provides woody mids and crack-resistant touring resilience; ribbon grain glows through the matte sealer.
Neck. One-piece mahogany, slim-C carve, dual-action rod for ±2 mm relief headroom.
Fingerboard & Bridge. Rosewood substitute (current run ovangkol); oiled finish keeps pores breathable.
4 | Bracing Physics — Forward-Shifted Scalloped X
Main spruce X braces intersect 5 mm nearer the sound-hole than standard, enlarging the lower-bout air chamber for dread-level bass. Scallops lower brace mass to 3 mm ridge / 1.8 mm wing tips; two tone bars flank the bridge plate to stabilise spruce grain under medium-gauge (.013) strain. Tapped fundamentals centre on F♯, overtones chart evenly through C♯ 6—ideal for double-tracking without comb filtering.
5 | Finish Logic — Open-Pore Natural
Two coats—water-borne pore sealer plus 80 µm matte poly—shed ≈110 g vs. gloss polyester. Benefits: quicker transient attack, louder acoustic “air,” no mirror glare under LED rigs, and a “played-in” neck feel from day one.
6 | Neck & Feel
Depth 0.84″ @ 1st fret → 0.89″ @ 9th; 43 mm bone nut squares electric familiarity and acoustic chord spread. A 16″ compound radius carries 20 medium nickel frets, edges rolled and crowns polished mirror. Factory action 2.4 mm (bass) / 2.0 mm (treble) at 12th; saddle height leaves room for down-tuners.
7 | Electronics — Cort CE304T Preamp
Undersaddle Sonicore piezo ➜ CE304T side module (Volume • Bass • Mid • Treble • Phase • Tuner). Phase flip squashes 90 Hz feedback; tuner mutes output for silent string swaps. 500 kΩ output impedance mates with pedalboards/DI; 9 V cell logs ≈90 h amplified.
8 | Hardware Highlights
- Bone nut and compensated bone saddle transmit full overtone stack.
- Rosewood bridge pins add node mass (~3 % sustain lift).
- Die-cast sealed tuners (18 : 1) lock pitch across climate swings.
- D’Addario EXP16 coated strings (.012–.053) triple bright-life vs un-coated PB.
9 | Real-World Personas
Singer-Songwriter Café. Spruce top cuts chatter; phase button kills wedge boom.
Bluegrass Jam. Dread bass hammers chop chords; cutaway slides capture solo breaks.
Worship Leader. Built-in tuner frees pedalboard slot; CE304T volume knob = quick mute.
Street Busker. Lam mahogany resists knocks; open-pore hides micro-dings.
10 | Sustainability Snapshot
Sitka from PEFC Pacific stands; mahogany laminates with FSC chain-of-custody. Water-borne sealer drops plant VOC ≈60 % compared with polyester. Spruce off-cuts pelletised to fuel factory kilns—zero timber waste.
11 | Care & Maintenance
Maintain 45–55 % RH; open-pore tops equalise faster—use a sound-hole humidifier in winter. Dual-action rod (4 mm Allen): ⅛-turn ≈0.1 mm relief shift. Oil rosewood board twice a year; avoid silicone polishes on matte surfaces.
12 | Closing Verdict — Workhorse Punch, Plug-and-Play Ease
MR500E-OP serves dreadnought thump, map-friendly cutaway reach and stage-simple electronics in one wallet-sensible bundle. It’s the rehearsal-room hammer that graduates to FOH without a hitch—an honest spruce/mahogany workhorse ready to clock in nightly.
Specifications
Model | MR500E-OP |
Series | MR (Modern Revival) |
Body Shape | Dreadnought Cutaway |
Top | Solid Sitka spruce |
Back & Sides | Mahogany (laminated) |
Finish | Natural open-pore matte (~80 µm) |
Bracing | Forward-shifted scalloped X |
Scale Length | 25.3″ / 643 mm |
Nut Width | 43 mm / 1 11⁄16″ (bone) |
Neck | Mahogany, slim-C, dual truss rod |
Fingerboard | Rosewood/Ovangkol, 20 rolled frets, 16″ radius |
Bridge | Rosewood/Ovangkol, rosewood pins |
Nut / Saddle | Bone / Bone (compensated) |
Electronics | Cort CE304T (Vol • Bass • Mid • Treble • Phase • Tuner) |
Tuners | Die-cast sealed 18 : 1 |
Strings | D’Addario EXP16 (.012–.053) |
Case / Bag | Optional (not included) |
Country | Indonesia |
Warranty | Limited lifetime structural • 1-yr electronics |
Average Weight | ≈ 4.8 lb / 2.2 kg |
Included Items | Truss-rod wrench • user guide |