Cort GOLD-O8 Natural | Gold Series Acoustic Guitar
Cort GOLD-O8 Natural — Gold Series Acoustic Guitar
The Cort GOLD-O8 Natural takes the Gold Series recipe—torrefied top, all-solid tonewoods, Double-Lock neck—and pours it into a body that splits the difference between an Orchestra Model and a small-jumbo. Think OM nuance with dreadnought headroom: tight bass, balanced mids, and treble presence that never turns strident. Add pau ferro’s bell-like overtones, torrefied Sitka’s played-in immediacy, and you get an instrument that feels vintage but travels modern.
1. Body Size & Voice
At 15⅝″ across the lower bout and 4⅜″ deep, the O8 chassis offers ten percent more internal air volume than a traditional OM, translating into greater low-frequency bloom without the shoulder-wide sprawl of a dreadnought. Fingerstyle players hear tighter note separation; flat-pickers enjoy punch that won’t overpower vocals. On a condenser mic, the guitar registers an even spectral response from 80 Hz through 12 kHz, so engineers can lift fader levels instead of carving corrective EQ.
2. Torrefied Sitka Spruce Top
Cort’s Aged-to-Vintage (ATV) treatment bakes AAA Sitka in a low-oxygen kiln. Resins vaporize, hemicellulose crystallises, and stiffness-to-weight ratio rises. Result: a top that attacks fast, sustains long, and already sounds “open.” Visually, the spruce glows honey-amber, its cross-silk shimmering beneath a paper-thin polyurethane gloss (≈140 µm) that protects while letting the plate breathe.
3. Solid Pau Ferro Back & Sides
Often dubbed “Bolivian rosewood,” pau ferro offers rosewood-like lows plus uniquely glassy trebles. Density hovers around 0.85 g/cm³—slightly lighter than East Indian rosewood—so the GOLD-O8 gains clarity without the mid scoop turning hollow. Under stage lights the wood’s caramel-and-espresso ribbons flicker, framed by flamed-maple binding that adds a dash of boutique restraint.
4. Advanced Bracing
Hand-scalloped, forward-shifted X-bracing releases the lower-bout diaphragm for greater bass air movement while keeping top rigidity around the soundhole. Because torrefied spruce faces higher elastic modulus, braces can be shaved thinner, dropping top mass by an average of 12 grams. Tap-tone A/B tests show a 9 % increase in fundamental sustain compared with non-torrefied siblings.
5. Double-Lock Neck Architecture
A vintage dovetail delivers full wood-to-wood contact; two hidden machine bolts clamp the joint from inside the body. Vibrational energy flows uninterrupted, yet future resets require only an Allen key—no steaming, no finish damage. Action tweaks during seasonal swings become lunchtime jobs, not luthier-level surgeries.
Specifications
Model | GOLD-O8 Natural |
Series | Gold Series |
Body Shape | Grand Orchestra / OM-plus |
Top | Solid torrefied Sitka spruce (ATV) |
Back & Sides | Solid pau ferro |
Bracing | Hand-scalloped, forward-shifted X |
Binding | Flamed maple (top & back) |
Rosette | Single-ring abalone |
Neck | Mahogany, slim-C profile |
Neck Joint | Double-Lock dovetail + bolts |
Fingerboard | Macassar ebony, 20 frets |
Scale Length | 25.3″ / 643 mm |
Nut Width | 1 ¾″ / 44.5 mm |
Nut / Saddle | Genuine bone |
Bridge | Macassar ebony with ebony pins |
Tuning Machines | Grover Sta-Tite 18 : 1 open-gear |
Finish | Natural gloss polyurethane (≈140 µm) |
Strings | D’Addario EXP16 (.012–.053) |
Electronics | None (pre-wired for aftermarket pickup) |
Case / Bag | Deluxe soft-shell (recycled PET) |
Country | Indonesia |
Warranty | Lifetime limited (first owner) |
Weight (avg.) | Approx. 4.5 lb / 2.05 kg |