Cort GA-MEDX OP | Grand-Auditorium Cutaway Electro-Acoustic Guitar (with Bag)
Cort GA-MEDX OP — Grand-Auditorium Cutaway Electro-Acoustic (Open Pore, with Gig Bag)
The Cort GA-MEDX OP places a solid-top grand-auditorium voice into the hands of working players who need modern comfort, plug-in reliability and grab-and-go portability. A solid spruce soundboard, laminated mahogany body, feather-weight open-pore finish and the CE304T preamp create a platform ready for living-room practice, worship sets or street-corner busking. The padded Cort gig bag—bundled standard—means you walk out the shop door stage-ready. What follows is a deep-dive (~3 000 words including headings) covering design intent, tone-wood chemistry, bracing physics, ergonomic details, electronics architecture, sustainability efforts and lifetime stewardship, capped by a white-and-gray spec table for quick reference.
1 | Everyday Workhorse Brief
Cort’s MEDX branch of the Grand-Auditorium line was drawn up after teachers, church techs and session sidemen asked for a guitar that offered three non-negotiables:
- Solid top, so it would open up, record sincerely and age gracefully.
- Dependable electronics, simple enough for a café DI yet quiet through a FOH mixer.
- Affordable durability, able to bounce in a hatchback or overhead bin without boutique panic.
The GA-MEDX OP (Open Pore) answers with a spruce/mahogany build, satin neck, open-gear hardware and a factory-fitted padded bag that shrugs the daily commute.
2 | Body Geometry — Grand-Auditorium Balance
Measuring 16″ across the lower bout, 11½″ at the waist and 4⅝″ deep at the tail block, the GA silhouette straddles dreadnought bass authority and OM mid focus. A soft Venetian cutaway—3″ radius—removes the heel wall that thwarts melodic forays past fret 15. Whether seated lessons, standing worship sets or looping busker sessions, that body shape distributes weight comfortably, keeps right-shoulder reach civil and projects enough air to compete with un-miked vocals.
3 | Tone-Wood Matrix — Spruce Spark × Mahogany Warmth
Top. A-grade Sitka spruce (Picea sitchensis) is milled to 2.8 mm centre and 2.6 mm at the edges. Sitka’s reliable stiffness-to-mass ratio delivers dynamic headroom so light fingerstyle and pick-driven strums share a single soundboard.
Back & Sides. Laminated African mahogany provides structural resilience against spills, humidity jolts and travel knocks while keeping the mid-range chunky and bass bloom controlled.
Neck. One-piece mahogany milled to a slim-C, capped with a dual-action truss rod for ±2 mm relief flexibility.
Fingerboard & Bridge. Walnut (or current ovangkol batch), oiled not lacquered, so pores remain tactile and sustain stays lively.
4 | Bracing — Advanced Scalloped X
Cort’s advanced X set crosses 5 mm toward the sound-hole, freeing the lower-bout diaphragm. Main spruce braces arch to 3 mm, tapering to feather-thin 1.9 mm tips; two tone bars below the bridge elevate top stiffness so medium-gauge sets (.013) stay safe. The result: bass fundamentals with headroom, mids that don’t swamp and trebles that lift in mixes without hiss.
5 | Finish Logic — Open-Pore Natural Satin
An 80 µm two-coat stack (water-borne sealer + matte polyurethane) is half the thickness of entry-level gloss polyester. Less finish weight equals quicker transient response—notes “jump” off the soundboard—while the matte face eliminates harsh stage reflections. The open pores let the spruce and mahogany equalise moisture faster, so humidification is straightforward and cracks less likely.
6 | Neck & Comfort
Short electric-style sets, campfire chord charts or 90-minute fingerstyle clinics all ask the same: “will my left hand survive?” Depth on the GA-MEDX measures 0.84″ at first fret and 0.89″ by ninth; a 43 mm bone nut splits the difference between 1 ¾″ fingerstyle spacing and 1 11⁄16″ vintage dread spec. A 16″ compound radius allows barre-chord flats near the nut and bend-friendly arcs higher up. Rolled fingerboard edges banish the raw-maple bite seen on cheaper imports.
Specifications
Model | GA-MEDX OP |
Series | Grand-Auditorium |
Body Shape | Grand-Auditorium Cutaway |
Top | Solid Sitka spruce |
Back & Sides | Mahogany (laminated) |
Finish | Natural open-pore matte (~80 µm) |
Bracing | Advanced scalloped X (forward-shift) |
Scale Length | 25.5″ / 648 mm |
Nut Width | 1 11⁄16″ / 43 mm |
Neck | Mahogany, slim-C, dual truss rod |
Fingerboard | Walnut/ovangkol, 20 rolled frets, 16″ radius |
Bridge | Walnut/ovangkol, rosewood pins |
Nut / Saddle | Bone / Bone (compensated) |
Electronics | Cort CE304T (Vol • Bass • Mid • Treble • Phase • Tuner) |
Tuners | Die-cast sealed 18 : 1 |
Strings | D’Addario EXP16 (.012–.053) |
Included Bag | Padded Cort gig bag (10 mm, backpack straps) |
Country | Indonesia |
Warranty | Limited lifetime structural • 1-yr electronics |
Average Weight | ≈ 4.5 lb / 2.0 kg |
Included Items | Gig-bag, truss-rod wrench, documentation |